高三英语作文 《聊斋志异》高中读书笔记 1500字
高三英语作文 《聊斋志异》高中读书笔记 1500字
English Composition "Tales of Liaozhai" high school reading notes 1500 words
以下是此篇初一英语作文的英文翻译版：
Tales of Liaozhai is a collection of short stories in classical Chinese with unique ideological and artistic features. Most of the novels talk about foxes and ghosts in the form of fantasy, but the content is deeply rooted in the soil of real life, reflecting the social contradictions and the ideological aspirations of the people in the era in which Pu Songling lived in twists and turns, and casting into the writer's unique feeling and understanding of life. Pu Songling in the "Liaozhai self-annals" said: "the collection of armpits for furs, false continuation of the record of the dark; Float white pen, only into a book of lonely anger: sustenance so, also enough sadness!" In this novel, the author expresses his deep and lonely anger from real life. Therefore, we should not just read the strange and interesting story of Liaozhai Zhiyi as a book to relieve sadness and boredom, but should deeply understand the author's love and hate, grief and anger and joy, as well as the real life and profound historical content that produced these thoughts and feelings. As Liaozhai Tales is a collection of short stories completed after a long period of time, the story sources are different, the author's thought and understanding have developed and changed before and after, and the author's world view itself is contradictory, so the ideological content of the book is mixed and complicated. But on the whole, more than half of the excellent works are progressive, and the main tendency is progressive, truly revealing the contradictions of real life, reflecting the ideals, aspirations and demands of the people. Praising the true, the good and the beautiful in life, attacking the false, the evil and the ugly, is Pu Songling's general artistic pursuit in writing Liaozhai Tales, and is also the most prominent ideological feature of this short story collection.
The plot of the works in the book is bizarre and twists, but concise, and the illusion image is painted with unique characteristics. Although it is classical Chinese, it is not only concise but also vivid and expressive, and the language is crisp and intuitive. In the past three hundred years, the story of Liaozhai has been widely spread among the people and has been translated into more than a dozen languages, becoming the common spiritual wealth of people all over the world. Strange Stories of Liaozhai is a treasure of Chinese classical novels. This collection of short stories was copied by some people at the beginning of his creation and spread more widely after his book was written. In the mid-19th century, it was spread abroad and has been translated into more than 20 languages such as English, French, German and Japanese. In the narrative and description of the communication between people and all kinds of supernatural things, the story plot is often arranged according to the pattern of corresponding and seeking the same spirit. It is an ancient concept that similar things can get close to each other, generate feelings, and realize communication at the life level. Many of the stories in Liaozhai Tales are the stories that take the opportunity of similar correspondence and seeking the same spirit as an opportunity to occur and extend.
Guo Moruo commented: "Write ghosts write demons a one-upmanship, thorn greedy thorn abuse wood three points."
Liaozhaizhiyi, a collection of short stories in the Qing Dynasty, is Pu Songling's representative work, which was basically completed when he was about 40 years old, and has since been updated and revised. "Liaozhai" is the name of his library, "Zhi" means description, and "Yi" refers to strange stories. It contains 491 short stories. The subject matter is very extensive and the content is extremely rich. Through talking about foxes and ghosts, most of the works effectively criticized the corruption and darkness of the society at that time, exposed social contradictions to a certain extent, and expressed the aspirations of the people. But it is also mixed with some feudal ethical concepts and the fatalism of karma. The artistic achievement of Liaozhai Tales is very high. It has successfully shaped a large number of artistic examples, vivid characters, twists and turns of the story plot, rigorous and ingenious structure, concise writing, delicate description, can be called the peak of Chinese classical short stories.
It is said that Pu Songling, the author of this book, opened a teahouse in front of his house, and invited tea drinkers to tell him stories, and did not pay for tea after telling them. Listen to it and then change it and put it in the book.
Tales of Liaozhai is a collection of short stories written in classical Chinese. There are legends, tales, anecdotes, etc., all of which are a collection of classical Chinese novels. The content is very extensive, talking about foxes, demons, flowers, demons, in order to summarize the social relations at that time, reflecting the social outlook of China in the 17th century. The book is written in a flower demon ghost fox world, not only the social reality such as paint black dissatisfaction, but also the talent is not met, the career is difficult to climb the injustice; Not only the punishment of corrupt officials for collusion, but also the praise of civilians who dared to resist and take revenge; The most numerous, high-quality, most beautiful and moving are the chapters of pure love between people and foxes, people and ghosts and gods, and between people.
"Liaozhai" is the name of Pu Songling's study, the so-called "chat" is in conversation, said Pu Songling in the place where he lives set up a tea shed, who came in is not charged with money, holding a pot of tea to sit down and chat with guests, he specifically asked some strange things, Pu Songling's "Liaozhai" became born from this. Then, Pu Songling will listen to these things after their own processing and polishing recorded. The "will" is produced (recorded). "Different" is, of course, intended to show that what one has recorded is strange. "Liaozhai Zhiyi" change from this.
以下是汉语原文带重点词汇注释版：
《聊斋Ghost Stories；故事集》是一部a volume； motion picture； a (book； etc.)；具有独特思想和艺术特色的文言文classical style of writing； writings in classical chinese；短篇小说集。小说大多以幻想的形式谈论狐仙鬼怪evil spirits； ghosts and monsters； monsters of all kinds； forces of evil；，但内容却深深扎根于现实生活的土壤中，折射出波折起伏的蒲松龄所处时代的社会矛盾和人们的思想诉求，铸就了作者对生活的独特感受和理解。蒲松龄在《聊斋Ghost Stories；自志》中说:“集腋毛为毛，假续录暗;浮白的笔，只成一本书this book；的孤独愤怒:寄托如此，也够悲伤!”在这部小说中，作者表达了他从现实生活中深切而孤独的愤怒。因此，我们不应该仅仅把《聊斋Ghost Stories；志异》这个奇怪而有趣的故事作为一本书this book；来阅读，以缓解悲伤和无聊，而应该深刻地理解作者的爱与恨，悲愤grief and indignation； lament and resent； sad and angered；与喜悦，以及产生这些思想和情感的现实生活和深刻的历史内容。由于《聊斋Ghost Stories；故事集》是经过很长一段时间才完成的短篇小说集，故事来源不同，作者的思想和认识前后都有发展和变化，作者的世界观本身也是矛盾的，所以该书的思想内容是混杂而复杂的。但总的来说，优秀作品有一半以上是进步的，而且主要倾向是进步的，真实地揭示了现实生活的矛盾，反映了人民的理想、愿望和要求。歌颂人生的真、善、美，抨击假、恶、丑，是蒲松龄创作《聊斋Ghost Stories；故事集》的总体艺术追求，也是这部短篇小说集最突出的思想特征。
书中作品的情节离奇曲折，但简洁明了，幻觉形象被描绘得独具特色。虽然是文言文classical style of writing； writings in classical chinese；，但它不仅简洁，而且生动，富有表现力，语言干脆直观。三百年来，聊斋Ghost Stories；的故事在民间广为流传，被翻译成十几种文字，成为全世界around the world； all over the world； entire world； from poles to poles；人民共同的精神财富。《聊斋Ghost Stories；志异》是中国古典小说的瑰宝。这部短篇小说集在他创作之初就有人抄写，在他成书后流传得更广。在19世纪中期，它被传播到国外，并被翻译成英语、法语、德语和日语等20多种语言。在叙述和描写人与各种超自然事物的交往时，故事情节往往是按照对应、求同精神的格局来安排的。相似的事物可以彼此亲近，产生感情，实现生活层面的交流，这是一个古老的观念。《聊斋Ghost Stories；故事集》中的许多故事，都是以相似的对应为契机，以追求同一精神为契机而发生和延续的故事。
郭沫若评论说:“写鬼写妖一个胜人一筹，刺贪刺虐木三分。”
清代短篇小说集《聊斋Ghost Stories；志异》是蒲松龄的代表作，在他40岁左右基本完成，此后不断更新修订。“聊斋Ghost Stories；”是他的藏书的名字，“志”是描述的意思，“易”是指奇怪的故事。它包含491个短篇故事。题材十分广泛，内容极其丰富。大部分作品通过谈狐谈鬼，有效地批判了当时社会的腐败与黑暗，在一定程度上暴露了社会矛盾，表达了民众的心声。但也夹杂着一些封建伦理观念和因果报应的宿命论fatalism； determinism；。《聊斋Ghost Stories；故事集》的艺术成就是很高的。它成功地塑造了大量的艺术范例，人物形象生动，故事情节曲折，结构严谨巧妙，文笔简洁，描写细腻，堪称中国古典短篇小说的巅峰peakedness；之作。
据说这本书this book；的作者蒲松龄在家门口开了一家茶馆，请喝茶的人给他讲故事，讲完后不付茶钱。听一听，然后改一改，放进书里。
《聊斋Ghost Stories；志异》是一部a volume； motion picture； a (book； etc.)；用文言文classical style of writing； writings in classical chinese；写的短篇小说集。有传说、故事、轶事等，都是中国古典小说的合集compilations； intersection；。内容十分广泛，谈狐、妖、花、妖，以概括当时的社会关系，反映17世纪中国的社会面貌。的
